It was July, and hot, and the water was low. Bye.The summer she turned fifteen, Sam Turner took her last float trip down the river with her father. So I'm gonna show you how not to smile and how to actually play in a way that makes high notes easy and not at all screechy. And I'm going to take you through a few things that instantly clear up your sound by focusing on those fundamental skills and instantly makes high notes easier by focusing on one high note fundamental technique, which is the opposite to smiling. Go to and come and join me in a masterclass. So about your sound and about your high notes that I was saying, how to fix tiny little things of those. That's just one example of a fundamental technique that once you fix it affects so many other things. So you can see there's a lot of flow-on effect from one small thing, like a smiley or a tight mouth. And today we're talking about your mouth leads to tightness in other places where you don't want it to be tight. Your fingers slow down, and tightens up the rest of your body, which means your breathing is going to become constricted. Compare that to how I normally play, which is like this. That was so when I played with the tight mouth, it was tight up here.Īnd what happens then is that that flows through you to your neck, through to your shoulders, through to your hands, makes your hands slow. So I'm going to tighten my mouth by smiling. So if you are tight here, when I was demoing a second ago, I felt my eyes squeeze up. The fourth reason why this is problematic playing with a smile is because when you are tight in your mouth, it makes other things tight. Tension in body when using incorrect embouchure And also that becomes ingrained behaviour, ingrained habit of your mouth. So the tighter your mouth is the tighter it's going get and the harder it's going to work.

And when it gets tired, it tries to get tighter, which is a vicious cycle. The third danger is that your mouth gets tired because it's tight. And you're also run out of air, but that's not even included in one of the dangers cuz there's way more than four, but I'm just going to show you four now. Sharp intonation on the fluteĭanger number two is you're gonna be sharp all over the flute, not just your high notes like this. Cuz the moment that you'd laugh as a flute player, you are playing and your sound goes down the drain. And they're gonna be super sharp.Ī great example of how smiling really messes up your playing overall is when you're playing along and someone or something makes you giggle or start to giggle and you feel the smile creeping in, and then your sound just goes when I was a kid playing in a youth orchestra, I used to be so envious of the violins and the cellos and the violas that they could smile. If you pull back the corners of your mouth when you play into a bit of a smile, when you play high notes, they're going to sound screechy like this. I’m going to demo each one so that you can really see what I'm talking about. Example of smilie embouchure on fluteīut right now the four dangers of a smiley embouchure. Speaking of fundamental skills, stick around to the end of this video. And I'm going to show you how to quickly improve your tone on the flute and quickly change how easily you can play high notes.

That's why I love teaching the fundamental skills. When a student goes, oh my God, I have been working on that for a year and I've never been able to do that. And it's my favourite thing about teaching. It makes a massive difference to how well you play. Because when you learn these tiny little changes, these technique changes to your playing. My surname is Cavanagh and I love showing people the absolute fundamental techniques of playing the flute. When I say problems, you'll see what I mean. There are four main problems with having a smiley embouchure. I almost called this video, 'The danger of having squeezy cheeks when you play the flute'. I'm going to show you right now, the dangers of having a smiley embouchure when you play the flute like this. I have a feeling you will relate to at least one of them! I made you this 5 minute video to DEMONSTRATE each of these 4 problems. The tightness in your mouth makes other parts of your body tight too, which (badly) affects things like breathing, for example.It makes your cheeks fatigue, making your playing worse.High notes become screechy and difficult.The 4 Dangers of a 'Smilie' Flute Embouchure I want to show you how having too tight a mouth when you play the flute leads to 4 particular problems:

Dunno smiley